Letters Outlining Kesey’s Agreement with U. of Oregon

Below are letters from Dr. Paul Armstrong to Ken Kesey about his appointment as Visiting Professor to the University of Oregon. The letters provide insight into what both Armstrong and Kesey envisioned for the class that would go on to write Caverns.

For more background on Caverns, click here.

Armstrong, now at Brown University, became the head of the University of Oregon English Department in 1986. At that time, several creative writing instructors were nearing retirement. Seeing a need to infuse new life into the program, Armstrong created a visiting professor position. When he heard Ken Kesey had expressed interest in teaching, he reached out. The two had lunch at Kesey’s house in the spring of 1987.

Kesey’s literary output and cultural relevance had waned. “I could see the bus there with grass growing through it,” Armstrong recalled. Armstrong also felt Kesey wanted a way to connect with young people after the death of his son Jed.

Kesey recalled with fondness his development as a writer at Stanford University under the direction of Wallace Stegner saying, “That’s where I learned to write.” Still, says Armstrong, “he didn’t want to teach your standard workshop. He wanted to recreate the experience of working together as a group.” Kesey talked about setting up multiple computers. While the technology did not yet exist to share a document over the internet, Kesey wanted students to be able to pass around their floppy disks.

Some within the University warned Armstrong against becoming involved with a controversial persona such as Kesey, but he thought that the potential benefits outweighed any risks. In the end, Armstrong was pleased both with what Kesey taught his students and the positive publicity Caverns brought to the University of Oregon.

Armstrong 1 Armstrong 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Armstrong 3

 

 

 

 

 

 

 

 

 

 

 

Special thanks to Linda Long, University of Oregon librarian, for helping me obtain these documents.

About Carter

Theodore Carter is the author of Stealing The Scream, Frida Sex Dreams and Other Unnerving Disruptions, and The Life Story of a Chilean Sea Blob and Other Matters of Importance. His fiction has appeared in The North American Review, Pank, Necessary Fiction, and elsewhere. Carter’s street art projects have earned attention from The Washington Post, The Washington City Paper, several D.C. TV news stations, and other outlets. In 2019, he organized the Night of 1,000 Fridas, an event spanning 5 continents that brought over 1,000 images of Frida Kahlo out into public view on the same night. More at www.theodorecarter.com.

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One Comment on “Letters Outlining Kesey’s Agreement with U. of Oregon”

  1. The U. of O. only paid Kesey $14,000 to teach this class?!

    He and Faye must’ve spent more than that on cold cuts and cheese platters for the class.

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