The Polka Dot Princess’s Fear of the Phallus

The retrospective exhibition of Yayoi Kusama’s artwork currently on display at Washington, D.C.’s Hirshhorn Museum showcases a 6-decade career hallmarked by obsessive, mind-bending repetitions of patterns and immersive viewer experiences.

Kusama

The exhibition has turned into a social media sensation. An Instagram selfie in a Kusama infinity room such as “Phalli’s Field” is a status symbol, proof of a hard-to-get-ticket and entrance into the headline-grabbing show.

Kusama’s work is complex and riddled with signs of a lifelong battle with mental illness. She suffers from depersonalization disorder and for more than forty years she’s lived voluntarily in a psychiatric hospital in Tokyo across the street from her studio. Her art, she claims, is a necessary part of her treatment.

While much of the current media coverage of Kusama focuses on her ubiquitous polka dots and the five mesmerizing infinity rooms, among her re-emerging themes are her complex relationship with sex and a fear of penises, anxieties she grapples with through “psychosomatic art.”

Read the full article at Dirgemag.com.

About Carter

Theodore Carter is the author of Stealing The Scream, Frida Sex Dreams and Other Unnerving Disruptions, and The Life Story of a Chilean Sea Blob and Other Matters of Importance. His fiction has appeared in The North American Review, Pank, Necessary Fiction, and elsewhere. Carter’s street art projects have earned attention from The Washington Post, The Washington City Paper, several D.C. TV news stations, and other outlets. In 2019, he organized the Night of 1,000 Fridas, an event spanning 5 continents that brought over 1,000 images of Frida Kahlo out into public view on the same night. More at www.theodorecarter.com.

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